Subway Sect

Two singles, one Peel session and a lost album — the band that wanted to get rid of rock'n'roll, not revive it.

KULTUR // MusicPage 01

Two singles · one Peel session · an album that vanished

Subway Sect

Without doubt one of the earliest and finest punk bands of the era — but you'll never know, because they released just two singles over two years and one John Peel session.

Words · KULTUR

Recordings were made for an album, but they were lost, leaving the tantalising thought that what disappeared was probably as ground-breaking as The Scream, Unknown Pleasures or Pink Flag.

Vic Goddard and guitarist Rob Simmons started out playing the blues at college in South London before busking in tube stations as makeshift rehearsal venues — hence the name, supposedly after a Hammersmith subway. They were nearly called the Numb Hearts. Like many others, their outlook changed after seeing the Sex Pistols at the Marquee. They loved the image, if not the music.

Subway Sect — Nobody's Scared sleeve
Nobody's Scared · Braik Records, 1978.
They just want to revitalise rock'n'roll whereas we just wanna get rid of it.

“I thought the Pistols were the end of rock'n'roll… but they weren't. Nor were the Clash. We never used ordinary guitars, a Gibson or a Strat: we used Fender Mustangs because they have a trebly, scratchy sound. We became quite purist. Our guitarist refused to allow any macho, rock'n'roll attitude on stage.”

— Vic Goddard · England's Dreaming, Jon Savage

The band originally comprised Paul Myers on bass, Robert Simmons and Vic Goddard on guitar and Paul Packham on vocals. A reshuffle saw Myers move to drums and Goddard to vocals. Having been forced to rehearse twelve hours a day for a week by Malcolm McLaren at Manos in Chelsea, they were ready to gig.

Their first appearance was the 100 Club Punk Festival on 20 September 1976, alongside The Clash, the Pistols and the Damned, among others — appearing in stark black as opposed to the sartorial punk finery of the main protagonists. Rehearsals happened at The Clash's Rehearsal Rehearsals in the Camden Stables.

KULTUR · No. 2 · Subway Sect01
KULTUR // MusicPage 02

Non-conformists to rock · non-conformists to punk

The True Punk Band

Early participants in the punk purge, they had no overt controversy for the nationals, weeklies or fans to pick on, so steadily evolved with no fuss, transforming into a fuller, more coherent sound.

How would you describe that sound? At their best, a heady mix of the Velvet Underground, the 13th Floor Elevators, Jonathan Richman and Magazine. Subway Sect were THE true punk band. Non-conformists to rock and non-conformists to punk. They baffled, confused and passed through the times — scratchy next to the heavy-metal-tinged assault of the Pistols and their followers, but as groovy and catchy as any of their sonic heroes.

Subway Sect at Rehearsal Rehearsals, Camden Stables
Rehearsal Rehearsals · The Clash's room in the Camden Stables.
We oppose all rock'n'roll as going down the chute.

Evidence

“We oppose all rock'n'roll / as going down the chute / We oppose the rock'n'roll / that's held you down for so long you can't refuse.”

Melodies immersed in a beautiful monotonous dirge. They were different — a sign that punk could be a lot more than the fast sonic assaults of the Pistols, the Damned and the Clash.

— Mark P · And God Created Punk

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